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英诗学习指南 语言学的分析方法 英文版PDF|Epub|txt|kindle电子书版本下载

英诗学习指南 语言学的分析方法 英文版
  • (英)Geoffrey N.Leech著;秦秀白导读 著
  • 出版社: 北京:外语教学与研究出版社
  • ISBN:7560024297
  • 出版时间:2001
  • 标注页数:249页
  • 文件大小:11MB
  • 文件页数:290页
  • 主题词:英语(学科: 诗歌 学科: 文学语言 学科: 研究) 英语 诗歌 文学语言

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图书目录

INTRODUCTION1

0.1 The ‘lang.-lit.’problem1

0.2 A descriptive rhetoric3

0.3 Poetic language and ‘ordinary’language5

0.4 A possible misgiving6

Notes7

1.1 Varieties of English usage8

1.1.1 Dialects8

1 POETRY AND THE LANGUAGE OF PAST AND PRESENT8

1.1.2 Registers: usage according to situation9

Preface by Halliday F12

1.2 Linguistic convention in poetry12

王宗炎序 F13

1.2.1 The trend of conformity13

1.2.2 The function of archaism14

1.2.3 Poetic language and poetical language15

Preface by Chomsky F16

1.2.4 Grand, middle, and plain styles16

1.2.5 The routine licences of verse composition17

Examples for discussion19

Notes22

沈家煊序 F23

2 THE CREATIVB USE OF LANGUAGB23

2.1 The escape from banality23

2.2 Two meanings of creative24

2.3 The qualities of prose in poetry25

导读 F26

2.4 Degrees of linguistic audacity29

Examples for discussion33

Notes35

3 VARIETIES OF POETIC LICENCE36

3.1 Anatomy of language37

3.1.1 Three main levels: realization, form, semantics37

Foreword F37

3.1.2 Phonology and graphology39

3.1.3 Meaning and significance39

Preface F39

3.1.4 Ancillary branches of linguistics40

Acknowledgments F41

3.2 Types of deviation42

3.2.1 Lexical deviation42

3.2.2 Grammatical deviation44

3.2.3 Phonological deviation46

3.2.4 Graphological deviation47

3.2.5 Semantic deviation48

3.2.6 Dialectal deviation49

3.2.7 Deviation of register49

3.2.8 Deviation of historical period51

3.3 Conclusion52

Examples for discussion53

Notes54

4 FOREGROUNDING AND INTERPRETATION56

4.1 Foregrounding56

4.1.1 Foregrounding in art and elsewhere56

4.2 Interpretation58

4.1.2 An example58

4.2.1 The subjectivity of interpretation59

4.2.2 The warranty for a deviation61

4.3 Parallelism62

4.3.1 Parallelism as foregrounded regularity62

4.3.2 How much regularity?64

4.3.3 Patterns of identity and contrast65

4.3.4 The interpretation of parallelism67

Examples for discussion69

Notes71

5 VERBAL REPETTTION73

5.1 Schemes and tropes74

5.2 Formal repetitions76

5.2.1 Free verbal repetition77

5.2.2 Types of verbal parallelism79

5.2.3 The functions of verbal parallelism84

Examples for discussion86

Notes88

6 PATTERNS OF SOUND89

6.1 Sound patterns within syllables89

6.2 Sound patterns in relation to stress91

6.3 Music in poetry93

6.4 The interpretation of sound patterns95

6.4.1 Chiming95

6.4.2 Onomatopoeia96

6.4.3 Varieties of onomatopoeia97

Examples for discussion100

Notes102

7 METRE103

7.1 Rhythm and metre103

7.2 The rhythm of English104

7.2.1 The measure: the unit of rhythm106

7.2.3 Pauses107

7.2.2 Which syllables are stressed?107

7.2.4 Syllable length108

7.3 Metre and the line of verse111

7.3.1 English metre as rhythmic parallelism111

7.3.2 The foot of traditional prosody112

7.3.3 The line of verse114

7.3.4 Some numerical aspects of metre115

7.3.5 Accentual metre118

7.4 The interaction of rhythm and verse form119

7.4.1 Defeated expectancy119

7.4.2 Metrical variation121

7.5 Grammar and metre122

7.5.1 Enjambment123

7.5.2 The verse paragraph125

For discussion128

Notes128

8 THE IRRATIONAL IN POETRY131

8.1 A logical view of meaning131

8.1.1 Some types of semantic oddity131

8.1.2 Definition and description134

8.2 Redundancy in poetry136

8.2.2 Tautology137

8.2.1 Pleonasm137

8.2.3 Periphrasis138

8.3 Absurdity in poetry140

8.3.1 Oxymoron140

8.3.2 Paradox142

8.4 Beyond reason and credibility143

Examples for discussion144

Notes146

9 FIGURATIVB LANGUAGB147

9.1 Transference of meaning148

9.1.2 Metaphor150

9.1.1 Synecdoche150

9.1.3 Metonymy152

9.2 Aspects of metaphor153

9.2.1 How to analyse a metaphor153

9.2.2 Simile and metaphor156

9.2.3 Notional classes of metaphor158

9.2.4 Extended metaphor159

9.2.5 Compound metaphor and mixed metaphor159

9.2.6 Symbolism and allegory161

Examples for discussion164

Notes165

10 HONEST DECBPTIONS166

10.1 Hyperbole and litotes167

10.1.1 Hyperbole167

10.1.2 Litotes or rhetorical understatement168

10.1.3 The uses of hyperbole and litotes170

10.2 Irony171

10.2.1 The mask of irony171

10.2.2 Irony and metaphor173

10.2.3 Innuendo174

10.2.4 Irony of tone176

Examples for discussion179

Notes182

11 IMPLICATIONS OF CONTEXT183

11.1 Licences of situation184

11.1.1 Rhetorical question184

11.1.2 Apostrophe185

11.1.3 Routine licences of situation186

11.2 The given situation187

11.3 The world within the poem189

11.3.1 The introduction of inferred situations191

11.3.2 Words of definite meaning193

11.3.3 Fact and fiction195

11.3.4 Impossible situations197

11.4 Situation and action199

11.5 Conclusion201

Examples for discussion202

Notes204

12 AMBIGUITY AND INDBTERMINACY205

12.1 Kinds of ambiguity205

12.2 Puns and word-play209

12.2.1 Technical variations210

12.2.2 In defence of the pun212

12.3 Open interpretation214

12.3.1 Sources of multiple and indeterminate significance215

12.3.2 The analogy of visual arts217

12.3.3 Seeking the optimal interpretation220

Examples for discussion221

Notes223

CONCLUSION225

Notes227

Suggestions for Further Reading229

General Index233

Index of Sources of Examples for Discussion239

文库索引241

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